Curriculum Vitae
Kate Dillingham, Cellist |
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PROFESSIONAL EXPERIENCE |
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2007–2008 |
Toured East Coast United States performing solo works of J.S. Bach and Benjamin Britten. Performed Verdi’s Requiem at Carnegie Hall (New York, NY) and Britten’s War Requiem at Patriot’s Theater at the War Memorial (Trenton, NJ). Performed Latin Jazz with Bronx Arts Ensemble at Hostos Community College (Bronx, NY). Presenting three solo programs for the new series “Music as Architecture” at the Ruth and Harold D. Uris Center for Education at The Metropolitan Museum of Art (New York, NY). Solo cellist with the Manhattan Chamber Orchestra in Evenings of Piano Concerti Series at the Yamaha Salon (New York, NY). |
2006–2007 |
Presentation of concert/lecture on the Sonatas for cello and keyboard by J.S. Bach co-edited with Bernard Greenhouse for G. Schirmer, Inc. at the Metropolitan Museum of Art. Solo recitals in New York, Connecticut, and New Hampshire. Soloist with the Metro Chamber Orchestra at Symphony Space (New York, NY). Soloist with the Chelsea Symphony at Bargemusic (Brooklyn, NY). Solo cellist in Tobias Picker’s Therese Raquin with the Dicapo Opera Orchestra (New York, NY). |
2005 |
Concerto appearances with the Salzburgerkammerphilharmonie (Salzburg, Austria), and The Metropolitan Museum of Art. Premiered Soliloquy, by Jennifer Higdon. Solo appearance at University of North Carolina-Greensboro introducing new edition of Sonatas for Violoncello and Keyboard BWV 1027-1029 by J.S. Bach (co-editor and owner with Bernard Greenhouse, published by G. Schirmer Inc.). Return engagement at the Supreme Court of the United States broadcast on Performance Today for National Public Radio (Washington, DC). Performed in Merce Cunningham’s Ocean at Lincoln Center Festival (New York, NY). |
2004–2008 |
Recording sessions with Tony Bennett and Doc Severinsen (New York, NY). The Late Show with David Letterman. Jazz at Lincoln Center with trumpeter Clark Terry. Regular substitute at Disney’s The Lion King on Broadway. Principal cellist with jazz singer Jane Monheit at Carnegie Hall. Principal and section cellist for numerous freelance orchestras and opera orchestras in New York, New Jersey, Connecticut, and Oklahoma. Soloist and continuo player for oratorio in many houses of worship in and around New York City. |
2004 |
Tour of Austria, France, Spain, and the Czech Republic with the Salzburgerkammerphilharmonie. Solo recital at Carnegie Recital Hall. |
2003 |
Solo recital at The Metropolitan Museum of Art. World premiere of a commissioned work by Guggenheim Award-winning composer Louise Beach. |
2002 |
Performed at the Supreme Court of the United States celebrating the publication of Malvina Shanklin Harlan’s Memories of a Long Life. Recital debut at Merkin Concert Hall (New York, NY). Premiered works by American women composers, including Augusta Read Thomas and Jennifer Higdon. Concerto performances with St. Petersburg Philharmonic (St. Petersburg, Russia) and Moscow Symphony Orchestra (Moscow, Russia). |
2001 |
Solo recital at Steinway Hall (New York, NY). Performed J.S. Bach’s Unaccompanied Suites in Rockport, MA, and Poughkeepsie, NY. |
1999 |
Concerto performances and CD recording of Haydn’s Cello Concerti with Moscow Chamber Orchestra, Great Hall of the Moscow Conservatory (Moscow, Russia). Concerto performances in Bad Sobernheim, Germany, and Iassy, Botoşani, and Constanza, Romania. |
1998 |
Concerto debut with Moscow Chamber Orchestra The Seasons, Gniessin Institute (Moscow, Russia). Concerto debut with St. Petersburg Philharmonic, Yusupov Palace (St. Petersburg, Russia). Solo recital at Scriabin Museum (Moscow, Russia). |
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DISCOGRAPHY |
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2002 |
Kate Dillingham, cello, with The Moscow Symphony Orchestra, Alexei Kornienko, conductor. Concerti by Witold Lutoslawski and Victor Herbert, Antonin Dvořák’s Silent Woods, and Jennifer Higdon’s Soliloquy. Recorded in the studios of MOSFILM (Moscow, Russia). |
2000 |
Debussy, Honegger, and Fauré. Kate Dillingham, cello, with Blair McMillen, piano, for Connoisseur Society Records. |
1999 |
Haydn Cello Concertos nos. 1 & 2 with The Moscow Chamber Orchestra The Seasons, Vladislav Bulakhov, conductor, for Connoisseur Society Records. Recorded in the Great Hall of the Moscow Conservatory (Moscow, Russia). |
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CHAMBER MUSIC |
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2006–2008 |
Music Amici: performances with members of the Metropolitan Opera Orchestra and the Orchestra of St. Luke’s. Chamber Music Recitals: the Lettvin Chamber Music Series (Bradford, NH), Connecticut Alliance for Music (Bridgeport, CT), and Madison Avenue Presbyterian Church (New York, NY) |
2003–2008 |
Artistic Coordinator for Connecticut Alliance for Music outreach program in Bridgeport Public Schools (Bridgeport, CT). |
1999 |
Full Fathom commemorated the 200th anniversary of A. Pushkin’s birth: poetry, costumes, and premieres of works by Mikhail Ermolaev Kollontay and Vladimir Uspensky. |
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PREMIERES & COMMISSIONS |
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2008 |
Il Castelo, for solo cello, Alessandro Appignani. |
2006 |
Clarinet Quintet by Sean Hickey, with clarinetist David Gould. |
2004 |
Soliloquy for cello and orchestra, Jennifer Higdon. |
2003 |
Song for a Maiden Voyage for cello and piano by Louise Beach; for the 50th anniversary of concerts at the Metropolitan Museum of Art. |
2002 |
Chant for cello and piano, Augusta Read Thomas. Suite for Solo Cello, Jennifer Higdon. |
1999 |
Aria from the opera The Captain’s Daughter, M. Ermolaev Kollontay. Ten Words on the Death of Victor Hartman for piano trio, M. Ermolaev Kollontay. |
1997 |
Dreams of Herod for violoncello and piano, M. Ermolaev Kollontay. |
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FESTIVALS & MASTER CLASSES |
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2007 |
Berkshire Opera Festival; Pittsfield, MA. |
1999 |
Maria Tchaikovskaya: Medal of Distinction for performances of Haydn’s Cello Concerti from Mattheiser Academie Festival; Bad Sobernheim, Germany. |
1985–1992 |
Master classes with Bernard Greenhouse, Theodore Lettvin, Felix Galimir, Leslie Parnas, Fritz Magg. |
1991 |
Domaine Forget Summer Festival; Saint-Irénée, P. Québec, Canada. Principal cello under Otto Werner-Muller. |
1985, 1987, 1988 |
Kneisel Hall Chamber Music School; Blue Hill, ME. |
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EDUCATION |
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1998, 2000 |
Private study with Professor Maria Tchaikovskaya, Moscow Conservatory. |
1992 |
Master of Music in Performance, Mason Gross School of the Arts, Rutgers University, with Bernard Greenhouse. |
1990 |
Bachelor of Music, summa cum laude, Mason Gross School of the Arts, Rutgers University, with Bernard Greenhouse. |
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TEACHING EXPERIENCE |
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2007–Present |
Head of Cello Department and Director of Grammar School Orchestra, Columbia Grammar and Preparatory School (New York, NY). |
1997–2007 |
Private studio instruction (Greenwich, CT) preparing lower, middle, and high school students for performances in twice-yearly recitals, auditions for youth symphony, regional and all-state jury examinations, college auditions, and competitions. Students have attended institutions such as Harvard University, Yale University, Williams College, Bard College, The Juilliard School, Interlachen Arts Academy, and North Carolina School of the Arts. |
2003–2007 |
Director of Connecticut Alliance for Music’s outreach program in Bridgeport Public Schools. Secured sponsorship and developed a unique program to introduce string playing, technique, and performance to middle and high school children (Bridgeport, CT). |
2000–2002 |
Adult Chamber Music Program at Diller-Quaile School of Music (New York, NY), performing with and coaching adult ensembles (trios, quartets, quintets with piano). |
1999, 2001 |
Preliminary round judge for the Heida Hermanns Young Artist Competition (Westport, CT). |
2000 |
Jury member for the New Jersey Symphony’s Young Artist Competition (Juilliard School; New York, NY). |
1997 |
Usdan Center for the Creative and Performing Arts (Huntington, Long Island, NY); taught group lessons for four levels of study commensurate with age and ability. Conducted string orchestra in three performances of Vivaldi’s Concerto for Two Cellos with student soloists. |